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DTSTART;TZID=America/New_York:20261205T190000
DTEND;TZID=America/New_York:20261205T210000
DTSTAMP:20260803T205304Z
CREATED:20260728T204434Z
LAST-MODIFIED:20260803T205304Z
UID:59260-1796497200-1796504400@antiochcollege.edu
SUMMARY:An Irish Christmas with John Doyle\, Cathie Ryan & Mick McAuley at the Foundry Theater
DESCRIPTION:Get Tickets\n			\n				Season Ticket Packages\n			\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				John Doyle\, Cathie Ryan\, and Mick McAuley come together for a rare United States tour this December in An Irish Christmas. \nThis festive celebration brings three of Irish music’s most beloved performers to the stage in a program woven through with song and story – from cherished carols and traditional tunes and airs to newly composed songs for the season. \nMick McAuley\, renowned melodeon player and longtime collaborator of John Doyle\, co-wrote and recorded This Christmas Time\, a holiday album the two released in 2024. That recording is the heart and soul of An Irish Christmas\, and Mick is delighted to be bringing it to American audiences alongside two of his favorite musical partners. \nCathie Ryan is a natural fit for this holiday tour\, having carved out a reputation for her own beloved Christmas performances over the years. A highly regarded singer\, songwriter\, performer\, and educator\, Cathie is a towering presence in traditional music circles on both sides of the Atlantic. She and John have been musical collaborators for decades – he has played guitar and contributed arrangements to three of her studio recordings\, they have toured as a duo throughout Europe\, and together they have penned songs that have earned a permanent place in the Irish music repertoire. Their compositions Carrick-a-Rede and Grace O’Malley are now staples of the tradition. Both are members of The Irish Music Masters and are featured on the PBS television special The Soul of Christmas. \nAll three have toured together before\, and their chemistry on stage is undeniable. John\, Cathie\, and Mick are looking forward to bringing An Irish Christmas to audiences across the United States – a warm and joyful evening of music and story in the finest Irish tradition.\n			\n				Get Tickets\n			\n				Season Ticket Packages
URL:https://antiochcollege.edu/event/an-irish-christmas-with-john-doyle-cathie-ryan-mick-mcauley-at-the-foundry-theater/
LOCATION:Foundry Theater\, 920 Corry St\, Yellow Springs\, OH\, 45387\, United States
CATEGORIES:Community & Campus Events,Featured Event,Foundry Theater,Open to the Public
ATTACH;FMTTYPE=image/jpeg:https://antiochcollege.edu/wp-content/uploads/2026/07/0102-dsc8524-doyle110520-scaled.jpg
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DTSTART;TZID=America/New_York:20261217T190000
DTEND;TZID=America/New_York:20261217T210000
DTSTAMP:20260803T205346Z
CREATED:20260728T204807Z
LAST-MODIFIED:20260803T205346Z
UID:59271-1797534000-1797541200@antiochcollege.edu
SUMMARY:Bonnie ‘Prince’ Billy: "We Are Together Again" at the Foundry Theater
DESCRIPTION:Get Tickets\n			\n				Season Ticket Packages\n			\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				Bonnie “Prince” BillyWe Are Together Again \nHowever dimly we perceive it\, we are living through a change of worlds. The one we were born into is slipping away\, reshaped and denuded by human action. What remains is the question of what we will carry forward\, and the manner in which we refuse to surrender ourselves. Will Oldham’s new album\, We Are Together Again\, feels like an answer to these questions. In Oldham’s songs – and in the circle of others who’ve gathered beneath the name Bonnie “Prince” Billy on this endeavor – friendship\, community\, and the stubborn joy of making art with others become a means of persistence. This isn’t to say that the record is a denial of collapse\, which would be delusion\, so much as that models defiance by remaining fully human\, fully joyful\, in a world with a diminishing horizon… I’m talking about Oldham’s record\, to be sure\, but I think the answers he suggests in We Are Together Again speak to the only meaningful choices any of us can make at this point in all of the agonizing everything.  \nYou can hear it in “Life Is Scary Horses\,” when Oldham concedes\, “The human times have come and gone.  We must accept our rule is done\, though love is sown and will live on. Come to me\, let me see your eyes once more before the winter comes again.” The song modulates from minor to major in tone\, almost sunny. This could read as irony\, but to my ear it’s something closer to grace. That’s the spirit running through We Are Together Again: not denial\, but fragile endurance and thankfulness for the moments we have. \n“Friend Named Joe” and “Davey Dead” form the emotional heart of the record. In the former\, Oldham sings “And when it feels like life is just a series of delusions\, Joe can show that\, even though it all feels like illusion\, it’s real; and yesterday bears no resemblance to tomorrow. You fly towards death so full of life and love and joy and sorrow.” And in the latter\, “If you destroy a child’s perspective\, here’s what that child will do: be faced with unrelenting trial and render terror back at you.”  \nThe album begins and ends with “Why is the Lion” and “Bride of the Lion\,” which serve as thesis and conclusion\, offering an invocation that seems to float above the rest of the work: “Hope of something beginning to rise from the floor of the ring…is it my voice\, or\, better yet\, ours?” A melody cleaning the world\, “scouring the filth from the light.” That’s what the album sounds like: people trying\, not to fix anything\, but to keep the light clear long enough to recognize each other in it. \nThe feeling of community is earned honestly since We Are Together Again is as much as gathering as a record or a statement. The studio becomes a meeting ground\, a small republic of sound. Oldham’s friends\, colleagues and even family— including — Tory Fisher\, Lacey Guthrie\, Katie Peabody\, Catherine Irwin\, Sally Timms\, Maggie Halfman\, Nuala Kennedy\, Ned Oldham\, Thomas Deakin\, Jacob Duncan and Erin Hill  – lend their voices\, turning solitude into shared witness. \nA sense of human beauty runs through everything here. Each voice remains distinct\, yet folds into something larger. We Are Together Again doesn’t resolve fear; it meets it with harmony. It’s a record about the stubborn miracle of accompaniment. It’s about how we keep asking\, and how\, so long as there are voices to ask together\, the asking itself becomes a kind of hope. \n			\n				Get Tickets\n			\n				Season Ticket Packages
URL:https://antiochcollege.edu/event/an-evening-w-bonnie-prince-billy-at-the-foundry-theater/
LOCATION:Foundry Theater\, 920 Corry St\, Yellow Springs\, OH\, 45387\, United States
CATEGORIES:Community & Campus Events,Featured Event,Foundry Theater,Open to the Public
ATTACH;FMTTYPE=image/jpeg:https://antiochcollege.edu/wp-content/uploads/2026/07/bonnie-prince-billy-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270130T190000
DTEND;TZID=America/New_York:20270130T210000
DTSTAMP:20260803T205427Z
CREATED:20260729T145309Z
LAST-MODIFIED:20260803T205427Z
UID:59283-1801335600-1801342800@antiochcollege.edu
SUMMARY:Puuluup at the Foundry Theater
DESCRIPTION:Get Tickets\n			\n				Season Ticket Packages\n			\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				Puuluup was formed in 2014 by two talharpa enthusiasts Ramo Teder and Marko Veisson. Ramo Teder is a multi-instrumentalist and has been known for his long solo project Pastacas. He is also a looping pioneer in Estonia and has mastered these skills for twenty years already. Marko Veisson has a background in anthropology and his fieldwork in Northern Ghana as well as his love for West-African music have definitely influenced Puuluup’s style. \nThey play their own compositions on Talharpas – a traditional bowed lyre\, popular in Northern Europe since the early Middle Ages and played on Western Estonian islands until the beginning of 20th century. Puuluup directs the vibrations of Talharpa’s horsehair strings through effect blocks and looper\, uses alternative bowing and drumming techniques and sounds. The mellow sighs of talharpa are paired with electronically amplified echoes\, knocks\, creaks and crackles\, while still maintaining the instrument’s natural sound. \nThey play with music as they play with words\, sometimes creating their own language. As the band states: “We draw inspiration from Vormsi nights\, trams in November\, junkies in love\, criminals from Odessa and Antonio Vivaldi”. As a side dish\, when giving live concerts they also offer choreographic flittering which emerged on its own during the numerous days these two man spent in the rehearsal rooms. Their humor and warm charisma flows generously from the stage\, drawing the audience in. \nBecause of their unique approach to this traditional instrument Puuluup received several music awards in Estonia including the best Band\, the best Ensemble\, for the best Album. Their popularity in Estonia and abroad is rapidly growing. The band performed in Canada\, USA\, China\, Chile\, France\, Germany\, Latvia\, Lithuania\, Portugal\, Macedonia\, Hungary\, Slovenia\, Ukraine\, Taiwan among others. \nLineup:Ramo Teder – talharpa\, vocal\, looper and effects pedalsMarko Veisson – talharpa\, vocal\, effects pedal board \nPuuluup about themselves:Two men in midlife crisis who have decided to start living rock & roll lifestyle with the help of their instruments\, talharpas. \nWhat inspires them:All kinds of random sources of inspiration are similarly important for their music – unexpected excerpts from Polish TV series\, old Estonian punk\, klezmer\, African gospel\, Sahel music\, hip-hop\, Antonio Vivaldi even R&B\, even windmills and wires forgotten in the car… \nWho inspires them:Buena Vista Social Club – they make them feel still rather young and give hope that they have a long career ahead. \nTheir performance:The lyrics are to set the mood. Mostly they are rather abstract and are open to different interpretations. Puuluup always wear black suits on the stage which may mean that they are taking themselves very seriously. \n			\n				Get Tickets\n			\n				Season Ticket Packages
URL:https://antiochcollege.edu/event/puuluup-at-the-foundry-theater/
LOCATION:Foundry Theater\, 920 Corry St\, Yellow Springs\, OH\, 45387\, United States
CATEGORIES:Community & Campus Events,Featured Event,Foundry Theater,Open to the Public
ATTACH;FMTTYPE=image/jpeg:https://antiochcollege.edu/wp-content/uploads/2026/07/Puuluup_2019_foto_Taavi_Arus_3-768x485-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270303T190000
DTEND;TZID=America/New_York:20270303T210000
DTSTAMP:20260803T205550Z
CREATED:20260729T204113Z
LAST-MODIFIED:20260803T205550Z
UID:59291-1804100400-1804107600@antiochcollege.edu
SUMMARY:Antonio Lizana at the Foundry Theater
DESCRIPTION:Get Tickets\n			\n				Season Ticket Packages\n			\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				From Andalusia to New York and beyond\, Antonio Lizana is one of the most celebrated representatives of new Flamenco Jazz to come out of southern Spain. As a jazz saxophonist\, flamenco singer and composer\, Lizana’s live shows are described as a “breathtaking journey from flamenco roots to contemporary jazz”\, bound together by soulful lyrics that carry messages of optimism and sincerity straight to the heart of his audiences. \nAntonio Lizana has performed in more than 30 countries with his band\, playing in festivals such as Womex\, Etnosur\, SXSW Austin\, the London\, New York\, Los Angeles and San Francisco Flamenco Festivals\, Barcelona Voll Damn\, Shanghai Jazz Fest (China)\, Casablanca Jazz Fest (Morocco) and Flamenco Biennale (Holland). \nBorn and raised in San Fernando\, a province of Cádiz and one of the cradles of flamenco singing\, his collaborations with countless local artists have informed his technique and style\, and allowed him to go on to share the authentic flamenco spirit with the world. He has collaborated with artists such as Arturo O’Farrill and Alejandro Sanz on works that received Grammy awards. Other of his collaborations include Snarky Puppy\, Marcus Miller\, Chano Domínguez\, Alfredo Rodríguez\, Ari Hoenig\, Jorge Drexler\, India Martínez\, Jorge Pardo\, Shai Maestro\, Chambao\, José Mercé\, Josemi Carmona\, Carmen Linares and Pepe Habichuela. \nThis program is presented with generous support from the Performing Arts Global Exchange grant at Mid Atlantic Art. \n			\n				Get Tickets\n			\n				Season Ticket Packages
URL:https://antiochcollege.edu/event/antonio-lizana-at-the-foundry-theater/
LOCATION:Foundry Theater\, 920 Corry St\, Yellow Springs\, OH\, 45387\, United States
CATEGORIES:Community & Campus Events,Featured Event,Foundry Theater,Open to the Public
ATTACH;FMTTYPE=image/jpeg:https://antiochcollege.edu/wp-content/uploads/2026/07/antonio-lizana-and-band-scaled.jpg
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