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X-WR-CALDESC:Events for Antioch College
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DTSTART;TZID=America/New_York:20241011T190000
DTEND;TZID=America/New_York:20241011T210000
DTSTAMP:20260619T182336
CREATED:20240722T162753Z
LAST-MODIFIED:20240809T132126Z
UID:50001-1728673200-1728680400@antiochcollege.edu
SUMMARY:THE JERRY DOUGLAS BAND at the Foundry Theater
DESCRIPTION:THE JERRY DOUGLAS BAND \n“Dobro’s matchless contemporary master” by The New York Times \nDobro master and 16-time GRAMMY winner Jerry Douglas is to the resonator guitar what Jimi Hendrix was to the electric guitar\, elevating\, transforming\, and reinventing the instrument in countless ways. Additionally\, Douglas is a freewheeling\, forward-thinking recording and touring artist whose output incorporates elements of country\, bluegrass\, rock\, jazz\, blues\, and Celtic into his distinctive musical vision. \nCalled “Dobro’s matchless contemporary master” by The New York Times\, three-time CMA Musician of the Year award recipient Jerry Douglas is one of the most innovative recording artists in music as a solo artist\, band leader for The Jerry Douglas Band and his GRAMMY winning bluegrass band The Earls of Leicester\, as well as a member of groundbreaking ensembles including Alison Krauss & Union Station\, J.D. Crowe & the New South\, The Country Gentlemen\, Boone Creek\, and Strength In Numbers. His distinctive sound graces more than 1500 albums with artists such as Garth Brooks\, George Jones\, Paul Simon\, Little Big Town\, James Taylor\, Emmylou Harris\, Elvis Costello\, Earl Scruggs\, Ray Charles\, Dierks Bentley\, Sierra Ferrell\, Tommy Emmanuel\, and many others. \nIn addition to touring\, Douglas has co-produced and performed on a series of platinum albums. He has produced albums for Alison Krauss\, The Del McCoury Band\, Maura O’Connell\, The Whites\, Steep Canyon Rangers\, John Hiatt\, and recently Molly Tuttle. He is co-music director of the acclaimed BBC Scotland TV series Transatlantic Sessions. In 2004\, Douglas was recognized by the National Endowment for the Arts with an American Heritage Fellowship\, and he served as the Country Music Hall of Fame and Museum’s “Artist In Residence” in 2008. \nAs Jerry Douglas continues his incalculable influence on country\, Americana\, bluegrass and their many related genres\, he forges ahead as a true pioneer in American music.
URL:https://antiochcollege.edu/event/the-jerry-douglas-band-at-the-foundry-theater/
LOCATION:Foundry Theater\, 920 Corry St\, Yellow Springs\, OH\, 45387\, United States
CATEGORIES:Community & Campus Events,Featured Event,Foundry Theater,Open to the Public
ATTACH;FMTTYPE=image/jpeg:https://antiochcollege.edu/wp-content/uploads/2024/07/jerry-douglas-band-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241018T190000
DTEND;TZID=America/New_York:20241018T210000
DTSTAMP:20260619T182336
CREATED:20240916T161618Z
LAST-MODIFIED:20240916T161626Z
UID:50614-1729278000-1729285200@antiochcollege.edu
SUMMARY:THE LANGUAGE OF DOLLS at the Foundry Theater
DESCRIPTION:THE LANGUAGE OF DOLLS \nOur play is called THE LANGUAGE OF DOLLS. \nWe are three very old friends who met when we were young- as students and alumni of Antioch College. Two of us live now in New York City. One of us lives in Yellow Springs. We are close to one another and far away\, the same and very different.  \nWe are one Black woman and two white. We’ve been asking how our own identities were formed and by whom. \nIn THE LANGUAGE OF DOLLS\, we are three women in a cabin for a weekend away together\, having conversations about our past and present\, but also a possible future. Sometimes\, there are no words\, only the alchemy of our bodies moving together and apart in space\, collectively and singularly. In the cabin we find things that are a kind of inheritance: dolls\, books\, pieces of clothing. We hear the sounds of loons\, of the wind at night\, and whispers of the ghosts that haunt us. \nPeggy Pettitt writes and performs original plays rooted in the art of African American storytelling.  For 25 years she worked in collaboration with director\, Rémy Tissier\, to create ten full length plays for which she received support from the National Endowment for the Arts\, New York Foundation for the Arts\, and Fulbright fellowships.  She teaches Self-Scripting at New York University and currently performs her solo play\, I EXIST-STORIES FOR BLACK LIVES\, which explores the roots and impacts of racism on “everyone of every color.”  \nLizzie Olesker makes plays and performances that explore the interplay of history\, personal memory and the unexpected poetry of everyday experience. She collaborated on the site-specific performance Every Fold Matters\, a documentary theater piece presented in NYC’s neighborhood laundromats. THE WASHING SOCIETY (2018)\, a hybrid documentary film she co-­‐directed with Lynne Sachs that traveled to many festivals including Punto de Vista (Spain)\, Encuentros de Otro Cinema (Ecuador)\, Vancouver Film Festival\, Chicago Underground Festival\, Pacific Film Archive at Berkeley Art Museum\, The National Art Gallery and BAM Cinema Festival. The script of Every Fold Matters and other writings inspired by the project will be in Hand Book: A Manual\, forthcoming from punctum press. Lizzie teaches playwriting and documentary theater at Eugene Lang College at the New School and at New York University. \nLouise Smith was Associate Professor of Theater and Performance at Antioch College from 1994-2008 and then again from 2014-2020. Her solo play DOROTHY LANE\, directed by Lizzie Olesker\, premiered at the Foundry Theater in 2018. She collaborated with Peggy Pettitt in 1988 to create PALAVER\, a play about two friends in the era of South African apartheid. Louise continues to write and create her own solo plays and appear with the Talking Band in New York City.
URL:https://antiochcollege.edu/event/the-language-of-dolls-at-the-foundry-theater-3/
LOCATION:Foundry Theater\, 920 Corry St\, Yellow Springs\, OH\, 45387\, United States
CATEGORIES:Community & Campus Events,Featured Event,Foundry Theater,Open to the Public
ATTACH;FMTTYPE=image/jpeg:https://antiochcollege.edu/wp-content/uploads/2024/07/IMG_1816.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241019T190000
DTEND;TZID=America/New_York:20241019T210000
DTSTAMP:20260619T182336
CREATED:20240722T164108Z
LAST-MODIFIED:20240809T132244Z
UID:50012-1729364400-1729371600@antiochcollege.edu
SUMMARY:THE LANGUAGE OF DOLLS at the Foundry Theater
DESCRIPTION:THE LANGUAGE OF DOLLS \nOur play is called THE LANGUAGE OF DOLLS. \nWe are three very old friends who met when we were young- as students and alumni of Antioch College. Two of us live now in New York City. One of us lives in Yellow Springs. We are close to one another and far away\, the same and very different.  \nWe are one Black woman and two white. We’ve been asking how our own identities were formed and by whom. \nIn THE LANGUAGE OF DOLLS\, we are three women in a cabin for a weekend away together\, having conversations about our past and present\, but also a possible future. Sometimes\, there are no words\, only the alchemy of our bodies moving together and apart in space\, collectively and singularly. In the cabin we find things that are a kind of inheritance: dolls\, books\, pieces of clothing. We hear the sounds of loons\, of the wind at night\, and whispers of the ghosts that haunt us. \nPeggy Pettitt writes and performs original plays rooted in the art of African American storytelling.  For 25 years she worked in collaboration with director\, Rémy Tissier\, to create ten full length plays for which she received support from the National Endowment for the Arts\, New York Foundation for the Arts\, and Fulbright fellowships.  She teaches Self-Scripting at New York University and currently performs her solo play\, I EXIST-STORIES FOR BLACK LIVES\, which explores the roots and impacts of racism on “everyone of every color.”  \nLizzie Olesker makes plays and performances that explore the interplay of history\, personal memory and the unexpected poetry of everyday experience. She collaborated on the site-specific performance Every Fold Matters\, a documentary theater piece presented in NYC’s neighborhood laundromats. THE WASHING SOCIETY (2018)\, a hybrid documentary film she co-­‐directed with Lynne Sachs that traveled to many festivals including Punto de Vista (Spain)\, Encuentros de Otro Cinema (Ecuador)\, Vancouver Film Festival\, Chicago Underground Festival\, Pacific Film Archive at Berkeley Art Museum\, The National Art Gallery and BAM Cinema Festival. The script of Every Fold Matters and other writings inspired by the project will be in Hand Book: A Manual\, forthcoming from punctum press. Lizzie teaches playwriting and documentary theater at Eugene Lang College at the New School and at New York University. \nLouise Smith was Associate Professor of Theater and Performance at Antioch College from 1994-2008 and then again from 2014-2020. Her solo play DOROTHY LANE\, directed by Lizzie Olesker\, premiered at the Foundry Theater in 2018. She collaborated with Peggy Pettitt in 1988 to create PALAVER\, a play about two friends in the era of South African apartheid. Louise continues to write and create her own solo plays and appear with the Talking Band in New York City.
URL:https://antiochcollege.edu/event/the-language-of-dolls-at-the-foundry-theater/
LOCATION:Foundry Theater\, 920 Corry St\, Yellow Springs\, OH\, 45387\, United States
CATEGORIES:Community & Campus Events,Featured Event,Foundry Theater,Open to the Public
ATTACH;FMTTYPE=image/jpeg:https://antiochcollege.edu/wp-content/uploads/2024/07/IMG_1816.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241020T140000
DTEND;TZID=America/New_York:20241020T170000
DTSTAMP:20260619T182336
CREATED:20240722T164626Z
LAST-MODIFIED:20240809T132401Z
UID:50018-1729432800-1729443600@antiochcollege.edu
SUMMARY:THE LANGUAGE OF DOLLS at the Foundry Theater
DESCRIPTION:THE LANGUAGE OF DOLLS \nOur play is called THE LANGUAGE OF DOLLS. \nWe are three very old friends who met when we were young- as students and alumni of Antioch College. Two of us live now in New York City. One of us lives in Yellow Springs. We are close to one another and far away\, the same and very different.  \nWe are one Black woman and two white. We’ve been asking how our own identities were formed and by whom. \nIn THE LANGUAGE OF DOLLS\, we are three women in a cabin for a weekend away together\, having conversations about our past and present\, but also a possible future. Sometimes\, there are no words\, only the alchemy of our bodies moving together and apart in space\, collectively and singularly. In the cabin we find things that are a kind of inheritance: dolls\, books\, pieces of clothing. We hear the sounds of loons\, of the wind at night\, and whispers of the ghosts that haunt us. \nPeggy Pettitt writes and performs original plays rooted in the art of African American storytelling.  For 25 years she worked in collaboration with director\, Rémy Tissier\, to create ten full length plays for which she received support from the National Endowment for the Arts\, New York Foundation for the Arts\, and Fulbright fellowships.  She teaches Self-Scripting at New York University and currently performs her solo play\, I EXIST-STORIES FOR BLACK LIVES\, which explores the roots and impacts of racism on “everyone of every color.”  \nLizzie Olesker makes plays and performances that explore the interplay of history\, personal memory and the unexpected poetry of everyday experience. She collaborated on the site-specific performance Every Fold Matters\, a documentary theater piece presented in NYC’s neighborhood laundromats. THE WASHING SOCIETY (2018)\, a hybrid documentary film she co-­‐directed with Lynne Sachs that traveled to many festivals including Punto de Vista (Spain)\, Encuentros de Otro Cinema (Ecuador)\, Vancouver Film Festival\, Chicago Underground Festival\, Pacific Film Archive at Berkeley Art Museum\, The National Art Gallery and BAM Cinema Festival. The script of Every Fold Matters and other writings inspired by the project will be in Hand Book: A Manual\, forthcoming from punctum press. Lizzie teaches playwriting and documentary theater at Eugene Lang College at the New School and at New York University. \nLouise Smith was Associate Professor of Theater and Performance at Antioch College from 1994-2008 and then again from 2014-2020. Her solo play DOROTHY LANE\, directed by Lizzie Olesker\, premiered at the Foundry Theater in 2018. She collaborated with Peggy Pettitt in 1988 to create PALAVER\, a play about two friends in the era of South African apartheid. Louise continues to write and create her own solo plays and appear with the Talking Band in New York City.
URL:https://antiochcollege.edu/event/the-language-of-dolls-at-the-foundry-theater-2/
LOCATION:Foundry Theater\, 920 Corry St\, Yellow Springs\, OH\, 45387\, United States
CATEGORIES:Community & Campus Events,Featured Event,Foundry Theater,Open to the Public
ATTACH;FMTTYPE=image/jpeg:https://antiochcollege.edu/wp-content/uploads/2024/07/IMG_1816.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241026T190000
DTEND;TZID=America/New_York:20241026T210000
DTSTAMP:20260619T182336
CREATED:20240722T172633Z
LAST-MODIFIED:20250121T162829Z
UID:50021-1729969200-1729976400@antiochcollege.edu
SUMMARY:Nobuntu at the Foundry Theater
DESCRIPTION:Nobuntu\, the female a cappella quartet from Zimbabwe\, has drawn international acclaim for its inventive performances that range from traditional Zimbabwean songs to Afro Jazz to Gospel. The ensemble’s concerts are performed with pure voices\, augmented by minimalistic percussion\, traditional instruments such as the Mbira (thumb piano) and organic\, authentic dance movements. Nobuntu was nominated for Best Musician of the Year at the Zimbabwe International Women Awards in London in 2015 and are currently a two-time winner for the Best Imbube Group at the Bulawayo Arts Awards 2017 and 2019. In the last few seasons\, the quintet has performed at festivals and concert halls in Italy\, Austria\, Germany\, Belgium\, the Czech Republic and throughout the African continent. The ensemble was a huge critical success at “Trans-Vocal” in Frankfurt and “Voice Mania” in Vienna. Their first tour to Canada\, in 2016\, included performances in Toronto\, Winnipeg\, Vancouver\, and Victoria. \nThe word Nobuntu is an African concept that values humbleness\, love\, unity and family from a woman’s perspective. The ensemble represents a new generation of young African women singers who celebrate and preserve their culture\, beauty\, and heritage through art. \nThe ensemble’s mission is the belief that music can be an important vehicle for change\, one that transcends racial\, tribal\, religious\, gender\, and economic boundaries. Back at home\, Nobuntu holds a number of community initiatives\, one of which is The Nobuntu Pad Bank where they gather sanitary pads for young women in the arts in underprivileged communities. \n  \nSupport for this project was provided by the Great Lakes Colleges Association through its Global Crossroads Initiative\, made possible by a grant from the Mellon Foundation.
URL:https://antiochcollege.edu/event/nobuntu-at-the-foundry-theater/
LOCATION:Foundry Theater\, 920 Corry St\, Yellow Springs\, OH\, 45387\, United States
CATEGORIES:Community & Campus Events,Featured Event,Foundry Theater,Open to the Public
ATTACH;FMTTYPE=image/jpeg:https://antiochcollege.edu/wp-content/uploads/2024/07/nobuntu-1.jpeg
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